The “skinny on stone” collection tilts the lens to a slightly peculiar angle, speaking a hint, rather than a statement; capturing a shadow in stead of a shape.

Poet and philosopher Samuel Coleridge blames the film of familiarity for our having eyes that see not, ears that hear not, and hearts that neither feel nor understand. Emily Dickinson believed in and lived by telling the truth but ‘telling it slant’. To dazzle gradually, she says. But maybe even to dazzle at all.